Manna Dey |
Manna Dey, who passed away at 3.52 am this morning(24th Oct 2013), was
remembered by friends, family, colleagues and fans from across the country and
world. The singer's body was taken to the Ravindra Kalakshetra auditorium in
Bangalore for the public to pay their last respects. While it poured heavily
outside, friends and fans of Manna Dey sat peacefully inside reminiscing the
singer's greatness.
The singer's younger daughter Sumita, who was by her
father's side throughout, interacted everyone who arrived at the venue.
However, the singer's elder daughter Shuroma, who lives in the US, was missed
by the family as she was unable to fly down due to health issues. In addition
to all the Sandalwood personalities and Bangaloreans, West Bengal was
represented by Kalyan Banerjee, an MP who arrived from Kolkata.
Credited with pioneering a new genre by infusing Indian classical music in a pop framework, Manna Dey pitomised the golden period of Hindi cinema with his inimitable style and memorable songs like Puchho na kaise, Aye meri zoharajabi and Laga chunri mein daag.
Along with Rafi, Mukesh, and Kishore Kumar, Dey was the last
member of the famous quartet of singers who dominated the Hindi music industry
from 1950s to 1970s.
In a career spanning over five decades, Dey, who died on
Thursday in Bangalore at the age of 94, went on to sing over 3,500 songs in
Hindi, Bengali, Gujarati, Marathi, Malayalam, Kannada and Assamese films before
quitting movies in the '90s.
His last song was for
2006 film Umar.
While Rafi, Mukesh and Kishore were the favoured voices when
it came to the lead actors, Dey stood out for his unique voice. Adept also at
singing Rabindra Sangeet, the multi-talented legendary singer's experimentation
with western music and qawwali produced many unforgettable melodies.
Dey, who had made Bangalore his home for the past few years,
started his career in playback singing with the film Tamanna in 1943. The
musical score was set by his uncle Krishna Chandra Dey and he had to sing a
duet with Suraiya. The song Sur na saje kiya gaon mein was an instant hit.
In 1950, Mashal was the second film where Dey got the
opportunity to sing a solo Upar gagan vishal, a melody created by Sachin Dev
Burman.
In 1952, Dey sang both for a Bengali and a Marathi film of
the same name and storyline, Amar Bhupali, and established himself as a booming
Bengali playback singer that in years to come took him to greater heights.
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